“Nessa Crowley's murderer has
been protected by silence for ten years.
Until a team of documentary
makers decide to find out the truth.
On the day of Henry and Keelin
Kinsella's wild party at their big house a violent storm engulfed the island of
Inisrun, cutting it off from the mainland. When morning broke Nessa Crowley's
lifeless body lay in the garden, her last breath silenced by the music and the
thunder.
The killer couldn't have escaped
Inisrun, but no-one was charged with the murder. The mystery that surrounded
the death of Nessa remained hidden. But the islanders knew who to blame for the
crime that changed them forever.
Ten years later a documentary
crew arrives, there to lift the lid off the Kinsella's carefully constructed
lives, determined to find evidence that will prove Henry's guilt and Keelin's
complicity in the murder of beautiful Nessa.”
Two Australian filmmakers have arrived on Inisrun to film a
documentary about the infamous death, a documentary which Henry hopes will help
to clear his name and put the past behind him. The story is told via interviews
with various island residents and Keelin Kinsella; however, it becomes clear
she isn’t comfortable telling her version of the story to the camera.
Keelin Kinsella is 47 years old and an islander by birth. Following the murder at her party, she has become withdrawn from society, her son keeps to himself in his bedroom, and her daughter doesn’t want to spend any time with her. For someone who seems like such a kind and generous person, this shift in character is hard to comprehend, but if you want to keep secrets, they’re less likely to come out if you don’t talk to anybody. So, is it wise to sit her in front of a camera and direct questions to her about this mystery surrounding her husband? Henry is an outsider, he doesn’t understand the insular island life, he understands business, and as the younger son of the Kinsella hotel chain, he still has a lot to prove and he’s willing to do anything to ensure that the good family name is upheld.
It is clear from the beginning of the book that the island
residents do not like the Kinsella family, and they hold a lot of resentment
towards them, especially Henry. It’s understandable, he doesn’t come across as
a particularly nice person, but that doesn’t make him a murderer…or does it?
Even after all the years they have been married, friends of Keelin, and
residents of the island, can’t understand why Keelin married Henry. They all
remember her with warmth when she was growing up on the island, but now they
wonder how complicit she is to Henry’s secrets.
Small islands make obvious settings for murder novels, I
know, I seem to have read a lot of them this year; so, it’s important that the
author makes the island become an important character. O’Neill does so,
providing an atmosphere that by day seems beautiful and picturesque, but by
night, darkly intimidating. Not just in a spooky sense, she gives the reader an
understanding what it is like to inhabit the island, because the residents don’t
just live there, the place is in their bones. (What I’ve also come to realise,
is that if there is going to be a murder on an island, then there should be a
storm of biblical proportions to ramp up that atmosphere. Again, O’Neill
delivers!)
Whilst there is obviously a big murder mystery vibe to the
story, what I found more disturbing was the theme of domestic abuse, toxic
relationships and coercive control.
No-one knows what goes on behind closed doors, and this became an
integral storyline that was well executed, showing the brutal ways in which
domestic abuse can transpire with no-one else being aware that it is taking
place.
This novel had me gripped from the very beginning, and as I
was listening to it via Audible on my daily walks, when I returned home, I felt
compelled to continue listening. It became compulsive; I was intrigued by the
story arc, and I could feel the anger of the author as she slowly showed the
reader what Henry felt he could get away with, showing his wife no remorse and
letting her suffer the consequences. It didn’t seem to matter if her life was shattered
to pieces, just so long as Henry, or the Kinsella name, did not lose face.
I appreciated how deeply embedded the Irish culture was to
the residents of Inisrun, so I found the moments where conversations took place
in the Irish language between Keelin and Alex an uplifting respite from her
unforgiving husband and his constant gaslighting. The conversations allowed the
old Keelin to have a voice, to become herself, even if only for fleeting moments
and I think this added an extra dimension to her character which helped the
reader understand her better.
This is a book that made me think about women, and men, who
are trapped in both physically and psychologically abusive relationships and
why they keep quiet, why they stay, why they don’t run. I found myself more
enthralled by that than working out the murder that weaves through the story.
At times I would become angry with Keelin, and then sad, whilst I remained in a
perpetual state of anger towards Henry. This is a thought-provoking book that
will remain with you, long after the final page.
Genre: Fiction, Mystery, Thriller, Crime, Irish Literature,
Release Date: 3rd September 2020
Publisher: Riverrun
Listening Time: 12h 1min
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