This book was announced as a recommended read as part of the ‘Eurovision-themed book club’ on BBC2 Between the Covers (UK TV program.) It piqued my interest when I realised that, though a work of fiction, the book is based on a real incident in Iceland in 1828, where three people were tried and convicted of a double murder. Kent learnt about Agnes Magnúsdóttir whilst she was an exchange student in Iceland, and this inspired her to write a story of the months leading up to Agnes’ execution.
“Iceland, 1829 – Agnes Magnúsdóttir is condemned to death for her part in
the murder of her lover.
Agnes is sent to wait out her final months on the farm of district officer
Jón Jónsson, his wife and their two daughters. Horrified to have a convicted
murderer in their midst, the family avoid contact with Agnes. Only Tóti, the
young assistant priest appointed Agnes’s spiritual guardian, is compelled to
try to understand her. As the year progresses and the hardships of rural life
force the household to work side by side, Agnes’s story begins to emerge and
with it the family’s terrible realization that all is not as they had assumed.
Based on actual events, Burial Rites is an astonishing and moving novel
about the truths we claim to know and the ways in which we interpret what we’re
told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable
landscape, in which every day is a battle for survival, and asks, how can one
woman hope to endure when her life depends upon the stories told by others?”
1829, Agnes Magnúsdóttir, a 34-year-old servant, became the last woman in Iceland to be beheaded for the murder of two men, one of whom was her employer. Set against the harsh winter landscape of Iceland, this book tells of her final months before her execution. As there were no prisons in Iceland, she was sent to live with the family of an Icelandic district officer, on a farm she had formerly lived on as a girl.
Despite the subject matter, this is a beautifully crafted book, which has obviously been thoroughly researched. It is a tough read, both emotionally and historically. We become so inhabited by Agnes’s tale, that you can’t help but feel an emotional attachment to a woman who was described as "an inhumane witch, stirring up murder." Kent tries to make this Agnes’s story, but all that research means she is also compelled to use the archival material that has been collected, and so there are chunks of a narrative that cut through Agnes’s voice and confuse the reader as to whether they should be rooting for Agnes or not.