Katherine
Chandler’s latest play is not for the faint hearted. Based on a real-life event
which shook Wales, the play is about dreaming of love, living in fear and
ultimately finding the strength to pull yourself out of the abyss. Whilst the
play contains strong language and descriptions of physical, mental, sexual and
drug abuse, it is actually a wonderful piece of theatre taking you through the
highs and lows of Hayley’s life.
Set in
Swansea, South Wales in 2016, the play runs for about an hour with no interval.
It is split into five sections which run fluidly from buried, monologues,
letters, strikes and back around to buried.
Hayley
(Danielle Bird) is a 30-something waitress who just wants a bit of fun in life,
so when Carl (Daniel Hawksford) walks into the café one day, she can’t help but
innocently flirt with him. He was the guy they all fancied at school, and here
he is, Carl Pearce, large as life in her café! Of course it takes him time to
recognise Hayley, and that’s only because she was at school with his brother –
looked out for him, was the one who would take him to her mam’s for something
to eat. The flirting results in a date, Hayley is swept off her feet, she can’t
believe how lucky she is. She is totally besotted with Carl.
A Pretty
Shitty Love is based on the horrific and shocking events which led to Stacey
Gwilliam becoming headline news around the world. In July 2015, Stacey Gwilliam
was strangled and left for dead on the coastal path between Bracelet Bay and
Langland Bay by her fiancé Keith Hughes. She had woken up trapped beneath a
pile of dirt after Hughes had thought he’d killed her and dumped her body in a
shallow grave. When Hughes was arrested, he confidently told police “You’ll
never find her”, but he was shocked to find out Stacey was still alive and had
used her fingernails to scratch and dig herself out of the dirt. This attack left
Stacey in an induced coma for 14 days, battling sepsis and multiple organ
failure; her body too fragile to be moved to a specialist hospital.
In a TV interview, the 34-year-old Stacey said: “I came round and there were branches and shrubs put on top of me. I could hear my heart beating and I could hear the sound of the sea in the background. It was like everything was in slow motion. All I could see were blurs of green and brown. I couldn’t breathe, I couldn’t move. It was like I was paralysed. It was awful really. Trying to get your head together to work out what was going on around you. I tried to get up but couldn’t. I had to use my nails to get out of where I was. That was all I could do. I tried to push but I didn’t have the upper strength.”
Hughes was
jailed for life later that year at Swansea Crown Court, and Gwilliam, who had spent
time with the playwright Katherine Chandler to help with research and
development of the play, sadly did not see the play into production. She died
in 2022 following health complications aged just 40.
I
scrape at the soil beneath me
Dig
my nails into the dirt
I
work out what’s going on
The play sounds like it could be a very bleak 70 minutes of theatre, but Katherine Chandler has written a multi-level play, injecting plenty of moments of pure joy and laughter as Hayley and Carl start their relationship. The dialogue is natural and sounds as though the words are being spoken for the first time. The audience is captivated as the fourth wall is broken and becomes gripped to their seats as they watch Hayley’s world start to unravel.