I don’t think I was the little girl my mother had longed
for. Ideas of wearing pretty dresses and playing with dolls were thrown out of
the window very early on. I would proudly push my pram down the road with her,
but it didn’t contain a doll; that had been defaced and beheaded long ago…no,
my pram was full of cuddly toy animals. If I wasn’t playing with them, I would
be playing with my train set. Yes, a train set, a clockwork locomotive designed
to keep me away from my older brothers’ electric train set. My train was really
boring….it just went around in a little circle. Now my brothers’, well they had
a huge trestle table with a hole in the middle, and lots of tracks with points
and signals…countryside painted on the walls surrounding it, endless amounts of
Modroc used to create hills and valleys, freight trains, steam trains that puffed
little clouds of vapour, diesel trains…it was great fun, even when I was shouted
at to keep my little sticky fingers at bay!!
Neither of my parents drove so the train was the preferred
mode of transport. British Rail weren’t too good at being on time so
connections were always missed, and so to pass the time, me dad and I would go
train spotting. I’d scribble numbers in my notebook whilst dad shouted them out
to me, and then at the end of the day we would cross them off in a special book
we’d buy from John Menzies (yes I am that old) at Chester railway station. At
the end of the year you would see how many numbers you had crossed off in the
book before starting again the next year!
I don’t train spot anymore, but the sight of a steam train
always brings great joy and when a diesel locomotive roars past me if I’m sat
at a station, I test myself to see if I can still remember what class of engine
it is. Suffice to say, a heady mix of trains, theatre and crime novels was too
good to miss; I figured this would be a fun-filled way to spend a Sunday
afternoon.
LipService Theatre (Maggie Fox and Sue Ryding) have been
described as the Laurel & Hardy of literary deconstruction. Having watched
Mr Darcy Loses the Plot a couple of years ago, I can see why. Their knowledge
and ability to turn the mundane into something hilarious is one to be
appreciated; part stand-up, part live acting and part film projection, it is a perfect
heady mix of virtuosity and jubilation.
Strangers On A Train Set pulled into The Lowry, Salford
Friday 17th May 2019 and departed on the 19th May 2019 to
resume its tour around the country. For those of you who have never seen LipService,
then be warned, it has developed a bit of a cult following around various
venues, so grab your tickets quickly when you see them heading your way or you’ll
miss out on a treat.
Derek and Geoff (Fox and Ryding) are two model train enthusiasts
who have been invited to Salford to showcase their 00 gauge model railway, and recreate
some classic railway journeys via steam locomotive or Geoff’s favourite, his
modern Virgin Pendolino.
When it comes to their trains, no detail goes unnoticed.
For authenticity, Geoff has lovingly scuffed his Pendolino with cat litter, to
give it that authentic worn look, as though it really has clattered mile upon mile along the West Coast route from Manchester to London Euston. Although they have paid great detail to their trains, the tiny figurines that adorn their railway set have been paid less attention, which is why we end up with the unlikely scenario of a 21st century youth being shouted at by a 1930’s amateur sleuth on the said Pendolino! We meet equally bizarre characters along the railway journey through various train-based books and films, some of which are easy to spot, whilst others morph into generalisations of many classic scenes we’ve read or watched!
give it that authentic worn look, as though it really has clattered mile upon mile along the West Coast route from Manchester to London Euston. Although they have paid great detail to their trains, the tiny figurines that adorn their railway set have been paid less attention, which is why we end up with the unlikely scenario of a 21st century youth being shouted at by a 1930’s amateur sleuth on the said Pendolino! We meet equally bizarre characters along the railway journey through various train-based books and films, some of which are easy to spot, whilst others morph into generalisations of many classic scenes we’ve read or watched!
“Take our love to
daddy!!!!”
LipService might only consist of two actors, but they use
ingenious touches to move between the real world of Derek and Geoff and the
fictional world of what is happening within the train set. Video projections
show Derek and Geoff playing with the train set, whilst on stage, the little
plastic characters become real, moving, talking humans! The actors know that
despite this clever use of flipping between stage and screen to give time for
costume changes etc, there are still some limitations as to what they can do, so
they incorporate jokes about the fact you can’t have three people in a
particular scene, or the need for using a doll to stand in for a third of the
Railway Children, as there are only two actors!
I am not a fan or player of computer games, and the first parody
left me a bit dazed and confused, although a number of people around me
obviously understood what was going on as they were heartily laughing around
me, but fortunately, unlike the old British Rail Timetable, that sketch
departed and a new sketch that had me on more familiar ground pulled onto the
stage. Their pastiche of Brief Encounter (Briefs on the Counter) had me holding
my sides with laughter. It is one of my favourite films, so to see Maggie Fox’s
hilarious take on the terribly, terribly well clipped tones of Celia Johnson was
truly brilliant. All my favourite moments from the film were there…the innocence
of returning a library book, the “oh, I appear to have something in my eye” all
the way to the repression that only a “fresh this morning” bath bun could
convey, was squashed into a few hysterical minutes that could run and run….and
run and run!
You couldn’t have a play about crime novels and trains
without playing homage to Agatha Christie. From super sleuth Miss Sparrow,
sitting knitting and taken immediate dislike to the youth with the loud music
emanating from his mobile phone, to the locally renamed 4:50 from Piccadilly
(Expected arrival time 4:57…58…59??!!!) this production sped along just like
the Murder on the Trans Pennine Express!
At times the production shunts back and forth, so just as
you think you are in the middle of a Miss Marple sketch, it suddenly switches tracks
to The Railway Children which leads to some elements of confusion, but that doesn’t
matter, as the name of the game here is to depart your theatre destination far
happier than when you arrived. What is truly enjoyable is watching how well Fox
and Ryding work together. If one makes a slight slip the other is there to quickly
transform it into a gag, as though it is just another part of the show. This is
the genius of great comedy partnerships, and just like the legends of Tommy
Cooper and Eric Morecambe before them, Fox can stand on stage saying nothing,
but just one look and you can’t stop laughing.
Whether you are a train enthusiast or not, this clever and hugely
enjoyable show is just the ticket to letting off steam in today’s all too serious
world! If you see it running near you, flag it down and go see it! I’m off to the
refreshment car in Coach C to see if Denise still has that egg & cress
butty she announced half an hour ago…I bet her card machine won’t be working…
Tour dates…
25th May 2019 - Nailsworth Festival
28th May 2019 to 29th May 2019 - Chipping Norton Theatre, Chipping Norton
30th May 2019 - Theatre Royal, Bury St Edmunds
1st June 2019 - Middlesbrough Theatre, Middlesbrough
6th June 2019 - Meres Guildhall Arts Centre, Grantham
5th September 2019 - Blackpool Grand
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