Before the release of "Lethal White" Robert Galbraith/J K Rowling
posted various teasers on Twitter. Headers showed a wooden anatomical
horse (used by artists for form and perspective drawing) a Benjamin West painting titled “Death on a Pale Horse” and a picture of a USB stick in the shape of a white horse. All of these posts convinced me Lethal
White would be set within the confines of the equestrian world. I love all things equestrian and assumed the book would somehow be connected to the medical condition found in white horses.
Overo lethal white syndrome is a fatal, inherited condition
found in horse breeds with white coat patterns. It is probably most renowned in
the American Paint Horse, but can also be found in miniature horses,
Thoroughbred and part-Arab horses. The affected foals are born with a white (or
nearly pure white) coat due to a lack of melanin-producing cells, plus an
impaired intestinal tract. At birth they look like any normal white foal (not
all whites foals are affected by OLWS) however as the infected foals
cannot digest food properly down the intestinal tract, once they start to drink
the mare’s milk they start showing signs of severe colic. An affected foal can
usually show signs within the first 12 hours of birth and death can occur with
48 hours as the abdomen distends and becomes increasingly painful. There is no
cure for OLWS and so the kindest thing is for the foal to be euthanised.
It seemed odd to name a book after such a
horrendous condition, but then the promotional material about Lethal White was released. "I seen a kid killed…He strangled it, up by the horse.” OK, so not a story set in
the horse world at all…up by the horse could be anything. A pub (there are a lot of pubs called The White Horse) or perhaps a famous British
landmark…a chalk horse (there are plenty of them cut into British
hillsides…from the Kilburn White Horse in the North York Moors National Park,
to the Westbury White Horse of Wiltshire and beyond.) There was only one way to
find out…read it!
Now I don’t intend to spoil the book for those who have not
read it by writing spoilers. The book starts where we left off in the last
one, at Robin’s wedding. Whilst there is no hard and fast rule as to how long a
prologue should be, I think it should be limited to no more than five pages. It
opens up a story, giving background details and context, and helps establish
the story going forward. Now when I finished Career of Evil, I was desperate to
know what happened between Robin, Strike and Matthew, but I wasn’t expecting a
warts and all start to the book. I read the (very) long prologue thinking,
“well this is all very nice…but is this supposed to be romantic fiction or a
detective novel…and when are we going to move onto the actual novel?”
It took too
long for the book to really get started…it was a very slow burn and it wasn’t
until I’d got to about the 24th or 25th chapter that I
actually thought the book took off. Strike’s success in a Career of Evil has meant
that his agency has grown and he is able to employ some contract staff to
assist him with investigations. He receives a visit from a young man, Billy
Knight, who claims he witnessed a murder and the burial of someone when he was
younger. He’s an agitated character with a history of mental illness, and he
runs from Strike’s office before identifying himself. Strike however catches up
with Billy’s brother Jimmy, an activist opposed to the up and coming 2012
London Olympics, who tells Strike his brother is an unreliable person and
not to be believed.
The meeting of Jimmy and Strike is seen by Jasper
Chiswell – the Minister for Culture – a politician plagued by scandal who, he
tells Strike, is being blackmailed by Jimmy. Strike takes up the case and
places Robin undercover at Westminster to find out what is going on behind
closed doors. Robin, unsurprisingly, is not having the best of times with
Matthew, and so is eager to accept her latest assignment. She meets a number of
characters including Geraint Winn, the husband of the Minister for Sport (Della
Winn) who wishes to destroy Jasper’s career…however, whilst undercover, Robin
finds out that there are other things he’s guilty of. The plot weaves back and
forth through a myriad of characters which we are introduced to in Rowling’s
distinctly verbose style. As the investigation continues, Strike is drawn to a
painting, of a horse
mourning the death of her foal.
By the end of the book I was full of mixed emotions. I
enjoyed being reacquainted with Strike and Robin. JKR has created two beguiling
characters that you can’t help falling in love with. I enjoy a good
crime/detective novel, and in essence these books do have a skilfully weaved
storyline but I just wish there was tighter editing. All characters, including incidental
characters, are described in so much detail that the flow of the story wanes.
I felt that JKR was distracted when writing the book, there is
repetition in some areas and mistakes in others, and I found it unnecessary to
keep describing Strike’s missing leg in so much detail so many times. We’re
led to believe that Strike is not defined by his injury, yet at every given
opportunity a paragraph will be given to how he lost his leg. For an audience with
the intellectual capabilities of processing a passage of Rosmersholm per
chapter, the author should trust the same audience to remember (if you tell
them once per novel) how Strike sustained his injury. As the story progresses
it is perfectly acceptable to say the pain shot down Strike’s leg as an
adequate reflection of when he is suffering, rather than the pain shot down Strike’s missing
leg which he had sustained…blah blah blah. The constant reminders were irritating and distracting.
JKR is blessed with a vivid imagination and an
ability to create a good story. She creates interesting, complex characters and
has a great feel for the human psyche; she is also very visual and this translates
well to film and TV, however her publisher really needs to be brave and cut the
extraneous material. The various flaws (e.g. an item mysteriously changing into
something else) should also be ironed out when proofreading because they stand
out, particularly if you read the book over two days.
Despite my grumbles, I did enjoy the book! I’m looking
forward to the TV adaptation and I have a great desire to find out what happens in the next
stage of Robin and Strike’s journey. I just hope that we might get to see some
more of Shanker in book 5…I do like him.
Genre: Mystery, Thriller, Crime, Detective
Release Date: 18th September 2018
Publisher: Sphere (Kindle)
Pages: 657
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