Scylla the killer. What a romantic and dangerous figure he
cuts, especially when he’s voiced by the incredibly versatile actor Tom Burke! (Am I right or am I right?!)
BBC Radio 4 dramatised both Marathon Man and Brothers by
William Goldman for their Saturday afternoon play slot. Back in the annals of
time I’d read the books, so I had an idea of the complexities of the story
surrounding Babe and Doc, but I still found a few areas of the plays a bit
difficult to comprehend whilst listening. You can only fit so much into a 1 hour play, and
stripping down both books to their bare bones makes what you're listening to a little confused. It is the back story, those missing series of events, that make you understand
the characters, which gives them reasoning, even one as ruthless as Scylla. With this in mind, I set to rummaging
in the loft to see if I still had the books and thankfully I did. I decided to read the books again and then listen to the plays...any excuse to listen to Tom again eh?!
Babe is an intellectual, an aspiring historian. He is an
ordinary bloke, trying to live his ordinary life, studying for a PhD in
history, surrounded by the shadows of his legendary father. Perhaps it’s this
shadow that makes Babe lack self-confidence. He knows the answers in class, but
he won’t offer the answer, he might, just by the slimmest chance be wrong; so it’s
better to be silent.
In his dreams, Babe is going to be a legend of the track, a
marathon runner. When he runs, he imagines his hero Nurmi running beside him,
and then he takes over, he passes Nurmi and the crowds go wild! He’s a naïve,
kind, romantic guy with dreams in his head, and this makes him such a relatable
character. And it’s his love of running which will ultimately save him.
Babe’s PhD paper examines tyranny in American politics; Roosevelt,
McCarthy, Coolidge, all come under the spotlight. Their different methods are
scrutinised by Babe, to be somehow pulled together, the disparate acts all tied
together neatly to make a unified point about tyranny in American history.
Babe’s thesis mirrors the disparate events that happen in
the book. Seemingly unrelated characters and events all weave together in a
masterly piece of literature. Two elderly men weave through the streets in a
fit of road rage with calamitous results. Scylla heads to Paris on a
clandestine mission, narrowly surviving death but now putting himself in the
firing line. An old pal in Edinburgh must suddenly say goodbye to his friend forever. A man
in Uruguay shaves his head, concealing his identity before walking out of his
dental practice and flying out on a mission. And a beautiful woman snares Babe’s heart and attention.
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| "Babe and Szell" - photo courtesy of BBC Radio 4 website |
Doc loves his little brother, has taken care of him since
their father committed suicide, and Babe adores his big brother, despite
thinking him a pretentious pillock at times! Babe and Doc, their own secret
names for each other, but their private names are not the only secret. Babe
thinks his brother is a hot shot in the oil business, but Doc is not the only
anonym he keeps, he is Scylla, the rock; Divisions lethal killer, and this is
going to cause his brother a lot of pain and anguish.
It takes a while to understand what is going on, but the constant
toing and froing between Babe and Doc/Scylla’s characters guide you along a
path where you know Babe will get mixed up in his brother’s dangerous affairs,
and it is this which keeps you spellbound, makes you unable to put the book
down. But it’s not all terror, there is some deftly woven humour in the
dialogue, especially between Doc and Babe, the type only brothers could get
away with, and you can’t help but chuckle as Doc tells Babe that something has to be wrong, no beautiful
woman would ever want him.
Need a filling Sir?
You know things are about to change when Doc pays Babe an unexpected
but fateful visit. Babe is plunged into a nightmare, the chain of events drop into place, and things start to make sense. Betrayal and conspiracies link hands with historical
crimes and make Babe, the marathon man run for his life, all the time with him
getting close to answering that painful question…"Is it safe?"
Scylla is a fascinating character, and you feel a bit
cheated when a mad dentist steals him away from you, just when you thought you were getting to know him! William Goldman obviously had the same thoughts, and so
more than ten years after he wrote Marathon Man, he penned Brothers. The book
starts on a remote island with only one inhabitant. A strong muscular man,
building up his strength for when/if he receives the call. He was Scylla,
Divisions greatest killer, until he died in Babe’s arms one night, but what if when he
was whisked away from Babe’s apartment he didn’t die…what if he was somehow
saved? Wouldn’t this make him Divisions greatest asset, the perfect spy? Scylla
is dead, so nothing to fear there…
I’d kill for some
chocolate
Now under normal circumstances, you would scoff at such delusions,
but Goldman is a fantastic storyteller. I’m not going to say perfect, because
like Marathon Man, the book starts with a number of disparate events…but really
all you want to know is…what happened to Scylla? What happened to Babe? This is
a book called Brothers, so why are we reading about two children buying sweets
and being caught up in an explosion where their bodies are not found? A nubile
young woman and her burly boyfriend succumbing to the perverted demands of an effeminate
stranger? A teenage couple, both on the brink of a wonderful life taking part
in a suicide pact? Kneeing a bloke in the testicles just to check out his integrity?
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| "Babe and Scylla" - photo courtesy of BBC Radio 4 website (Surprising how much Scylla looks like Dolokhov in War & Peace!!!!) |
This is a thriller that will take you on a surreal,
disturbing, and sneaky journey. In the hands of a lesser writer
you’d probably toss this nonsense aside, but Goldman is as manipulative as his
characters. You are forced into entering this depravity and you come out the
other side at least shocked, if not heartbroken. Whilst you know that Goldman
knows what he’s doing, and that it is important to lay the foundations, it does
get frustrating that you don’t hear about Babe until you’re nearly a third of
the way through the book. It’s frustrating but actually rather clever. The
reader is in the dark about all the events that have happened and so is Scylla.
He has been stuck on an island, and it’s pretty scary arriving back in mainland
USA where there is AIDs, and VHS and other acronyms he’s never heard of… time
has moved on and Scylla must get up to speed or he’s never going to survive a
second time around.
Brotherly love at its
strongest
Goldman wrote Marathon Man with such understanding of
brotherly love it probably couldn’t be upheld for a second time, and so Brother’s
is really Scylla’s story, and that is fine. As a psychological study, Scylla is
up there. He was an intellectual like his younger brother, but he gave up studying
for killing. In his world though, you don’t kill for fun. He is a killer with a
conscience, each killing should be done properly…with respect. The first time
you meet him you are intrigued. Why did he start working for Division and more importantly
why does he stay? It is rather poignant that in Marathon Man he say’s “I want
to die with someone who loves me.” Is that why he made such a determined effort
to see Babe for one last time? What does this say about the man?
Scylla’s dislike of the childish antics of Division
resurfaces in this novel. He still hates the cloak and dagger password
nonsense, the tests, the games. But his time away has served him well. Again,
as in the first book, Goldman manages to keep the light and shade in the novel
to keep the reader engaged, Perkins’ note "Go
with this cretin. If you think Kilgore is limited, wait until you meet
Givens. The calibre of our employees has not been exactly skyrocketing of late”
leads the reader to assume that all has not been going well at Division since Scylla left.
It wasn’t paint Babe
Throughout the text there are clear markers that Babe still misses Scylla, and Scylla misses Babe. Scylla is warned off trying to find Babe; he's told that the only thing keeping Babe alive is the fact that Scylla is “dead.” As we go through the ups and downs of both brother’s lives, it is only in the final pages of the book that the title takes on a real poignancy, and four short words can become so heart wrenching.
Book to radio
The radio adaptations were exquisite. I enjoyed sitting
down for an hour to listen to each one. The music complimented the tension of
the books and gave that deep sense of foreboding that you got from reading Goldman's text. But Goldman created all these missing characters and subtexts for a reason, so you really only
got a sense of the story. I have to thank Radio 4 for reminding me what a great novelist Goldman was (and for casting Tom Burke who was just superb as Scylla.) I recommend that anyone who heard and enjoyed the play
for its content, and not just for Tom’s mellifluous voice, to get the books, read
them and then listen to the plays again. You will get so much more out of the
story and the characters, believe me. And the books are so gripping that it only took me
two days to read them both (and yes I did leave the house on both days!)
As at the time of writing, the plays are still available to
listen to on the BBC Radio 4 iplayer. Marathon Man has 14 days left to listen, and
Brothers 21 days.
http://www.bbc.co.uk/programmes/b08xx9tn (Marathon Man)
http://www.bbc.co.uk/programmes/b08yj080 (Brothers)
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